Galley proofs sent for SO IT GOES

Perpetual Motion Publishing Machine has provided the contributing authors to SO IT GOES: A TRIBUTE TO KURT VONNEGUT with the galley proof for a final editing pass through, so if all goes well, the anthology should be available early this spring.

SO IT GOES: A TRIBUTE TO KURT VONNEGUT, coming spring 2013 from Perpetual Motion Machine Publishing.

SO IT GOES: A TRIBUTE TO KURT VONNEGUT, coming spring 2013 from Perpetual Motion Machine Publishing.

Edited by Max Booth III, SO IT GOES will feature my short story, “The Fountain of Relative Youth” in its table of contents:

  • “The Grand Tour” by Frank Roger
  • “Saving God” by Jay Wilburn
  • “How to Succeed in Academia” by K. A. Laity
  • “Critical Thinking Skills” by James W. Hritz
  • “The Unhappy Accident or Feelin’ Fine” by T. Fox Dunham
  • “The Truth” by Jonathan Balog
  • “You’re Toast” by E.E. King
  • “The Joke’s on You” by Philip Simondet
  • “It Takes Four to Tango” by Mike Sheedy
  • “The Policy” by Thomas Messina
  • “Riding” by Aric Zair
  • “Corrective Action (or Illegal Discharge Legally Charged)” by Tony Wayne Brown
  • “Dead Girls, Dying Girls” by James Dorr
  • “Modern Science Has Yet to Find a Cure” by Michael Lee Smith 
  • “The Fountain of Relative Youth” by Christian A. Larsen
  • “My Best Friend is a Robot” by Brady Gerber
  • “Fido” by James Wymore
  • “Responsibility is Key”
  • “Megastar Hopper” by Sue Lange
  • “Dog. Girl. Armless Karaoke Maniac.” by Joseph McKinley
  • “Nedserd” by Eli Wilde
  • “A Tribute to Ernest Glipp” by C. M. Chapman

In his book BAGOMBO SNUFF BOX: UNCOLLECTED SHORT FICTION, Vonnegut listed eight rules for writing a short story:

  • Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  • Give the reader at least one character he or she can root for.
  • Every character should want something, even if it is only a glass of water.
  • Every sentence must do one of two things—reveal character or advance the action.
  • Start as close to the end as possible.
  • Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
  • Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  • Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Watch these rules in action in SO IT GOES: A TRIBUTE TO KURT VONNEGUT, coming this spring from Perpetual Motion Publishing Machine.

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